A Historical Overview. However, Kuuraveer argues in The Art of Legal Murder that such an attribution is too obvious, and puts forward an alternative case for Tomar Haanigan, a contract killer and owner of several bordellos on Silverado where the Harkonnen slave raiders went in search of fresh victims. The other copy of the Handbook contains two sets of annotations. Apparently lodged in the Fremen Museum on Arrakis at one time (several of the first set of notes refer to Fretnen weapons and rituals), it seems that later during the Duncan Days it was taken elsewhere, and is now located m & museum on Grumman. The second group of notes, much later than the first annotations, discuss the vagaries of feminine warriors, with some obvious allusions to the Fish Speakers. Even more curious is the fact that the two sets of annotations were made centuries or even millennia apart, yet there exists a curious similarity between the handwriting of each set. This strange phenomenon has seemed good grounds for some scholars, even including Kuuraveer, to credit the notes in this book to two different incarnations of Duncan Idaho. It may safely be concluded from a study of the Handbook and its role in the stormy history of me Imperium, both in pre-Atretdes times and in the days of the Atreides emperors, that it is in many ways a symbol of the barbaric work! of those times. Contemporary readers may well rejoice that they live in a more enlightened era, when the practice of legalized murder is no longer tolerated. E.G. Farther references; WAR of ASSASSINS; HALLECK, OURNEY; Zhauta Kiwraveer, The Practice of Death and The Art of the Duel, both from Kiitam Varna; Otho, Count Fennng, The Fine An of Prtgessional Homicide, ei. and tr. Tovat Gwtnsted {Grumman Tern); Margot Lady Boring, Arralds and After, Arrakis Studies 12 (Grumman. United Worlds); Jaspar Kobura, House H&rkomen.